Tag: morgoth

theoppositeofprofound:

Was reading up on Maiar recently, brushing up on my lore, and there was a mention of the fact that a lot of them just don’t bother to take physical form. Even the elves in Valinor aren’t sure how many of them there are. They’re just like, weird invisible ghost friends, creeping around Middle-Earth, observing things and giving people weird dreams. Having a good time in general. 

This leads to the obvious question- did Morgoth have any followers who just couldn’t be bothered with physicality? His whole evil power shtick doesn’t seem like it would attract that sort of personality, his ethos is built on interfering with things, but there had to be at least a few who hung around him just to watch the fireworks. (Sauron: Come on, guys, you’re being a real drag. At least make the effort to do a wraith form.)

Does this mean that the War of Wrath had a post-mop up ghostbusting component? Some poor Edain watching Eönwë

shout at the empty halls of a liberated Angband about “going home and facing consequences” and “I mean it this time, don’t make me come get you.”

One corner of Lórien is mildly haunted for a few millennia by some Ainur who are under house arrest for Enabling This Nonsense. 

the-blue-wizard:

ferithtolkienesque:

My BIGGEST pet peeve when it comes to Tolkien is how people will sometimes characterize Melkor’s rebellion as being about him wanting to do his own thing and rebelling against Illuvatar’s oppressive sheet music.

THERE WAS NO SHEET MUSIC!  Illuvatar wasn’t forcing anything.  The Ainulindale was improv.  Illuvatar just gave them the theme, the idea, the feeling, the starting point.  The Ainur were drawing inspiration from the thought of Illuvatar, sure, and so long as they were in harmony the music played precisely as Illuvatar intended because Illuvatar had created them and knew how they worked together.  But the music of the Ainur before Melkor’s dissonance was quintessentially creative, as well as corroborative.  It was spontaneous, perfect harmony of free individuals perfectly in tune with each other, whose improvisations were constantly building upon each other.

Melkor’s rebellion was not about asserting his freedom of expression, because his expression was already free.  Instead it was explicitly about making his own voice louder and more important than anyone else’s, and subjugating the creativity of others to instead convince or force them to follow him exactly in repetitive unison.  And so, when Melkor’s goal became drown everyone else out, instead of make beautiful music together, his music became less creative, less innovative, and less his.

So it kind of annoys me when people talk about Melkor like he’s all for freedom of expression when he’s pretty much the opposite of that.

How.many of y’all been in jazz bands and gotten lead sheets for a song? Just the chord structure, some rhythms jotted out and maybe a few bars of a unifying theme? I played in student jazz bands for 6 years and let me tell you, the truly good musicians listen and feel out the structure of the song and when it comes to their solo, they’re ready and their expression shines. But then you get that one jackass who pulls something weird out of his ass during a performance and doesn’t follow the chord structure and you have to either let it sound bad or drown him out. It’s not freedom or creativity. It’s just being an asshole because you won’t play well with others.