anghraine replied to your post: a bunch of replies
Yeah, I was definitely thinking that it’s Éowyn as the lone major
female character that would make a fighting institutional
misogyny+renunciation narrative uncomfortable no matter how it was done.
But it could certainly be /less/ so on the writing level, and
alternately ‘more women’ would go much much further than any individual
character really can.
Yeah that makes a lot of sense. And def with you on ‘more women’ being a much stronger and more effective fix than any single brilliantly-written woman. Low numbers of women + expected expanded coverage of roles is really just…the goddamn scourge of writing female characters in large casts.
simaethae replied to your post: a bunch of replies
right, like, i’m super inarticulate rn but the problem with viewing
evil as an inherent character trait rather than specific actions taken
at specific times… and then if you know someone’s not Evil you can’t
reconcile that with their behaviour so have to impute an external
explanation, or something.
i was going to be like, obviously viewing people as objects that are
acted upon rather than making their own decisions is kind of insulting,
but maybe the Valar don’t even think of themselves entirely as people
all the time?
idk let’s pretend i’m making sense. *crawls off to bed*
No it makes total sense! And I agree with you re: evil being defined as people’s actions, for sure, I mean…I was thinking about it more as in…how like, the Valar, and a lot of other characters in Tolkien’s universe, seem to conceive of Evil, as being more of a tangible corruption or defect in reality, with evil actions being the result of, the interaction of Melkor’s influence on the Music of Arda + individual people’s free will determining whether or not they succumb to their inborn temptations or tendencies to Do Evil or whatever. And like, it doesn’t actually jibe with how I interpret the concept of evil IRL so sldufhsudfbj when I talk about this kind of stuff it all like…has a tendency to get wayyyy too hypothetical and caught up in the philosophy/theology Tolkien laid out. But YES I was definitely thinking of Aulë being sort of, unwarrantedly proprietary, well-intentionedly patronizing, whatever, in this…it’s more of a headcanon than an opinion haha. And amusing myself at the idea of Sauron being like “ughghghgghhhh.” But maybe for kind of understandable reasons given that Aule presumably remembers how the music was marred and blames everything wrong with the world on Melkor or like…WHATEVER. How do you psychoanalyze a demigod character ANYWAY I’m just kinda torturing myself here lol.
gurguliare replied to your post: 🔥 like, elrond? Tell me about elrond
i do think the healing focus is kind of implied in staying, in the
same way ‘building’/visionary creativity is implied by elros leaving?
but also i loooove that image of elrond’s adventuresome young adulthood,
alone for the first time
Yeah I did agree with
this on, like, SECOND brush (er, my first read of the Silm was like 3
years ago, whereas I only got into any sort of tolkien fandom about 1 year ago) but
just, it was amusing to come into the fandom going like… “oh. yeah. he did
do healing stuff didn’t he oops it completely slipped my mind because I
was so busy fangasming about the idea of Elros’s powers lasting all the
way to Aragorn!!!”
gurguliare replied to your post: 🔥 like, elrond? Tell me about elrond
post-apocalyptic loremastery defs an indiana jones thing
Do
Not Photoshop This. You know how much I can’t stand Weavingrond.
Photoshop sparkly haloed bearded dude from that animated movie I have never
seen.
imindhowwelayinjune replied to your post: 🔥 like, elrond? Tell me about elrond
this is beautiful meta but also ‘unlimited diems to carp’ better be plastered on every wagon bumper from here to numenor
…..WOW I wonder what the hypothetical second age elf renaissance was like. Was it like a mid-life crisis or not.